2024
Ger, E., Manfredi, M., Osório, A. A. C., Ribeiro, C. F., Almeida, A., Güdel, A., Calbi, M. , & Daum, M. M. (2024). Duration of face mask exposure matters: evidence from Swiss and Brazilian kindergartners’ ability to recognise emotions. Cognition and Emotion , 1-15.

2023

Calbi, C. (2023). “Emozioni, corpi, teatro”, in Luca Spadaro, Recitare le emozioni. Roma: Dino Audino, 111-121.

Langiulli, N., Calbi, M., Sbravatti, V., Umiltà, M. A., & Gallese, V. (2023) The effect of Surround sound on embodiment and sense of presence in cinematic experience: a behavioral and HD-EEG study. “Frontiers in Neuroscience”, 17, 1222472.

Miglio, N., Galimberti, G. (2023). Intra-Active Sense-Making. Towards a Performative Understanding of Biomedical Imaging. “Cinéma & Cie. Film and Media Studies Journal”, 22(39), 69-82.  

Pipicelli, I. (2023) Material Memories: Choreographing Documental Bodies, in “European Journal of Theatre and Performance”, 5, 18-25.

Sartori, S. (2023). Embodying architectures: Body extensions and forms in hybrid environments. “Itinera”, 25.

2022

Calbi, M., Montalti, M., Pederzani, C., Arcuri, E., Umiltà, M. A., Gallese, V., & Mirabella, G. (2022). Emotional body postures affect inhibitory control only when task-relevant. “Frontiers in Psychology”, 6857.

Cappelletto, C. (2022). Brain Image Making and Cyborg Visuality. “Reti, saperi, linguaggi, Italian Journal of Cognitive Sciences”, 1, 87-104.

Cappelletto, C. (2022). Embodying Art: How We See, Think, Feel, and Create. New York: Columbia University Press.

Cappelletto, C. (2022). The Mask: How to Perform Expressions and Disembody the Self. In Fehrenbach, F., Vollgraff, M. (eds.), Ökologien des Ausdrucks / Ecologies of Expression. Berlin/Boston: De Gruyter.

Grossi, G. (2022). “Performativo”, in A. Pinotti (a c. di), Il primo libro di estetica. Torino: Einaudi, 185-197. 

Miglio, N., Stanier, J. (2022). Beyond Pain Scales: A Critical Phenomenology of the Expression of Pain. “Frontiers in Pain Research”, 3, 895443, doi.org/10.3389/fpain.2022.895443. 

Miglio, N. (2022). Absolute Metaphors and Metaphors of the Maternal. Philosophy Kitchen. Rivista di filosofia contemporanea, (17), 165-176.

Modena, E., Pinotti, A., Pirandello, S. (2022). 360°. L’immagine ambientale nelle arti visive tra realtà virtuale e aumentata. In “Piano b. Arti E Culture Visive”, 6(1), I-II.

Pirandello, S., Malaspina, R. P., Pinotti, A. (2022). Emerging, Filtering, Symbiosing: Experiences in Augmented Art. In VCS. “Visual Culture Studies”, 3(4), 101-124.

2021

Calbi, M., Ardizzi, M., Gallese, V., Umiltà, M.A. (2021). Audience impact on the physiology of the acting practice. “Nodes journal of art and neuroscience”, 17-18, 96-101.

Calbi, M., Langiulli, N., Ferroni, F., Montalti M., Kolesnikov A., Gallese, V., Umiltà, M.A. (2021). The consequences of COVID-19 on social interactions: an online study on face covering. “Scientific Reports”, 11(1), 2601, doi.org/10.1038/s41598-021-81780-w.

Calbi, M., Langiulli, N., Siri, F., Umiltà, M. A., Gallese, V. (2021). Visual exploration of emotional body language: a behavioural and eye-tracking study. “Psychological Research”, 85(6), 2326-2339.

Cappelletto, C. (2021). Alfred Gell tra eccezionalismo umano e postumanesimo. In Gell, A., Arte e Agency. Una teoria antropologica, trad. it. by G. Policastro, Postfaced by C. Severi, Milano: Cortina, vii-xxxv.

Favara, G., Miglio, N. (2021). Introduction – Special Issue Digital Identities, Digital Ways of Living: Philosophical Analyses. “Phenomenology and Mind”, 20, 12-17.

Gell, A. (2021). Arte e agency. Una teoria antropologica, edited by Cappelletto, C. Milano: Cortina.

Grossi, G. (2021). La notte dei simulacri. Sogno, cinema, realtà virtuale, Monza: Johan and Levi.

Grossi, G. (2021). Dreamlike Environments: ‘Storyliving’ in Virtual Reality Installations. In D’Aloia, A.,

Arcagni, S. (eds.) “Immersive Stories. Virtual Reality, Post-Cinema and Storytelling”, Cinergie. Il cinema e le altre arti, 19, 147-155.

Miglio, N., Sartori, S. (2021). Perceptual and Bodily Habits: Towards a Dialogue Between Phenomenology and Somaesthetics. “The Journal of Somaesthetics”, 7(1), 29-44.

Modena, E., Pinotti, A., Pirandello, S. (2021). Virtual Reality and Augmented Reality New Tools for Art and Politics. “Paradigmi”, 39(1), 87-106.

Parisi, F., & Sartori, S. (2021). La temperatura dell’interfaccia: Embodiment, ipnosi e allucinazione. La temperatura dell’interfaccia: Embodiment, ipnosi e allucinazione, 23-39.

Pipicelli, I. (2021). The ghosts are themselves the future. “Mimesis Journal”, 10(2), 71-89.

Pirandello, S. (2021). A Journey into Artworks: Storytelling in Augmented Reality and Mixed Reality. “Cinergie – Il cinema e le altre arti”, 19, doi.org/10.6092/issn.2280-9481/12219.

Pirandello, S., Malaspina R. P., (2021). Memoria interattiva. Contro-monumenti in realtà aumentata. In “Routes and Roots”, XI, 35.

Rignano, G., Bergamaschi, M.L. (2021). Transfemminismo e psicoanalisi: dialogo intorno a Je suis un monstre qui vous parle di Paul B. Preciado. “Balthazar. Per un’etica dell’inclusione”, 2, 103-134, doi.org/10.13130/balthazar/15328.

Sartori, S. (2021). L’Epistemologia dell’Incorporazione attraverso la Storia Materiale degli Arti Artificiali. “Chiasmi International”, 22, 317-332.

Stanier, J., Miglio, N. (2021). Painful Experience and Constitution of the Intersubjective Self: A Critical-Phenomenological Analysis. “Phenomenology of Bioethics: Technoethics and the Lived-experience”, 84, 101-114.

2020

Ardizzi, M., Calbi M., Tavaglione, S., Umiltà, M.A., Gallese, V. (2020). Audience spontaneous entrainment during the collective enjoyment of live performances: physiological and behavioral measurments. “Scientific Reports”, 10(1), 10.1038/s41598-020-60832-7.

Cappelletto, C. (2020). Transvestism: The Parade of the Embodied Self. “RES: Journal of Anthropology and Aesthetics”, 73/74, Harvard University Press – special issue La parade, Knowles, M., Wood, C. (eds.), 294-303.

Grossi, G. (2020). ‘Real virtualities’: Real Time Animation and Immersivity, in G. Plaitano, S. Venturini, P. Villa (eds.), Moving Pictures, Living Machines. Automation, Animation and Imitation of Life in Cinema and Media, Milano-Udine: Mimesis International, 83-88.

Grossi, G. (2020). Virtualità reali: cinema e performance nelle arti immersive, in M. Fusillo, L. Faienza, M.

Lino (eds.), Oltre l’adattamento. Come cambiano le narrazioni nell’era transmediale, Bologna: Il Mulino, 165-183.

Sartori, S., Scorrano, S. (2020), Il Ruolo della Cornice Ambientale. In Dialogo fra Scienza Cognitiva e Antropologia Culturale. “Reti Saperi Linguaggi”, 9(17), 151-166.

2019

Calbi, M., Siri, F., Heimann, K., Barratt, D., Gallese, V., Kolesnikov, A., Umiltà, M.A. (2019). How context influences the interpretation of facial expressions: a source localization high-density EEG study on the “Kuleshov effect”. “Scientific Reports”, 9(1), 10.1038/s41598-018-37786-y.

Grossi, G. (2019). Corpi inabitabili: a partire da The Elephant Man di Lynch. “Fata Morgana”. Quadrimestrale di cinema e visioni, XIV, 37, 185-190.